Tuesday, February 13, 2024

Feminism in Art: Rhythm 0

 

Feminism in Art
RHYTHM 0

Isabella Krieg


Performance art is described as a "time-based art form that typically features a live presentation to an audience or onlookers... and draws on art such as acting, poetry, music, dance, and painting" (Britannica). In the 60s and 70s, performance art was characterized by improvisation and spontaneity, audience interaction, and political agitation. It was meant to challenge traditional art conventions as a way to find a new audience or test new ideas. It soon became a favorite art form for feminist artists, one example being Serbian artist Marina Abramovic. In 1974, Abramovic created a group of performances as a part of her Rhythm series, in which she explored themes such as "control", the loss of it, and the limits of the human body," (Graf). Rhythm 0 was the last piece in her series, also regarded as her most dangerous one.

The performance took place in 1974. Abramovic gave her audience the following instructions:
There are 72 objects on the table that one can use on me as desired
Performance:
I am the object.
During this period I take full responsibility.

The performance was set to go on for six hours, in which Abramovic gave the audience full control over her body and the objects on the table. Amongst the 72 objects was a rose, polaroid camera, newspaper, red paint, a book, scissors, a kitchen knife, a gun, and a bullet. Abramovic gave the audience the opportunity and choice to use the objects in a way that was either pleasurable or harmful to her and intended to question the responsibility of whoever participated. The piece started off tame. Art critic Thomas McEvilley describes the events that took place, writing that "Someone turned her around. Another person thrust her arm into the air. Someone else touched her somewhat intimately." Although it is arguable whether being "touched intimately" could be considered tame or not, the events that followed got worse. Within an hour, all her clothes were cut off and she had been sexually assaulted. McEvilley went on to write how "When a loaded gun was thrust to Marina's head and her own finger was being worked around the trigger, a fight broke out between the audience fractions." Not every audience member participated in the violence, but not everyone intervened when someone else went too far. Although it's not clear if the performance ended because the 6 hours were over or because the audience eventually put a stop to it, we do know that the audience fled in the end out of fear of facing Abramovic. The piece questioned morality, as audience members did things they wouldn't normally do in real life. They were put int he uncomfortable position of deciding whether someone lives or dies, and the fact the audience fled after the performance shows they knew their actions were morally wrong. Whether they participated or not, audience members may have felt encouraged to commit acts of violence after hearing the initial instructions, and seeing the suggestive items on the table, indicating the ability for violence. After the performance, Abramovic says part of her hair had turned completely white, and she was covered with scars and the feeling of fear for a long time.


Abramovic herself stated she never thought of Rhythm 0 as a feminist piece, but these ideas show through her performance. Despite the fact that performance art was already seen as "attention-seeking, sensationalist, masochistic, and exhibitionistic," (Graf), Abramovic being a woman gives the piece a bigger impact. Women in the art world during the 70s were already prone to censorship. In the performance itself, Abramovic "wasn't too bad to look at" and that "someone might be able to use her." Abramovic herself stated she "never thought that it was female energy that drove the piece and that the courage to do this piece seemed more male from her point of view," (Graf). Regardless of what her initial intentions were regarding the message of the piece, we can still see feminist questions being asked. Would the performance have gone differently if Abramovic was a man? And how might the audience have acted if no one else was watching?

More from Rhythm 0


Works Cited


Graf, Stephanie. "Rhythm 0: A Scandalous Performance by Marina Abramovic." The collector, 29 June 2022, www.thecollector.com/rhythm-0-by-marina-abramovic/.

Wainwright, Lisa S. "Performance Art." Encyclopedia Britannica, 2019, www.britannica.com/art/performance-art.

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